Himachal Archives

Black and White Picture of Raja Ugar Singh of Hindur, 1840-1850 (from Archer's book on Punjab Hills Paintings) Picture the year: 1795. The foothills of the Shivaliks are tense, echoing with the tramp of armed men and the grinding pressure of regional rivalries. Down in the valleys, Raja Ram Saran Singh Handuriya of Handur (modern-day Nalagarh) is caught in a grinding political bind. For years, Handur has ridden the coattails of Kangra’s aggressive campaigns against its bitter historical rival, Bilaspur (then known as Kahlur). But looking out across his contested borders, Ram Saran Singh faces a heavier, more haunting question: Does he continue serving as a satellite to Kangra’s ambitions, or does he break away, side with Maha Chand and Bilaspur, and reclaim a fractured sense of Rajput honor? The friction between Handur and Bilaspur was rooted in continuous struggles over strategic border zones, crucial river-crossing points, and the Satgarha (seven forts) territory. Because Handur...

Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...

कांगड़े दा टीला ओ माता, गर्वे सिंघे घेरिया। अकबर कांगड़े चढ़ आया ओ मेरी माँ। सुत्ती ऐ की जाग दी तू, जाग अम्बे रानिये। गर्वे ने पाई लिया घेरा ओ मेरी माँ। A very famous bhajan from Kangra of Mata Bajreshwari Devi, remembered often across north-west India today, talks of the Kangre da Tilla or the Mound of Kangra, referring to the place where Bajreswari Devi is present. She is popularly also know as Kangra Mata, and the legend is that the place was set up by burying the kaan or ear of an asura who was killed by the Pandavas on the orders of the Devi. There are such bhajans for other major temples in the region as well, but as a history enthusiast, this one often draws my attention.  The story of Kangra is as much the story of the civilizational wounds that the plains experienced; or perhaps it was worse, given how many times temple desecrations were made a conscious strategy. This song, at some level, seems to pass on the memory of one such gory experience that was witnessed by the peopl...

I was just walking through some documents I had saved over the years, when it struck me that there has been very little new research work or relook into the history of the hill states. One particular format has been the examination of oral ballads, very few of which seem to be available in popular culture today. However, that was certainly not the case in the British era, when much field work seems to have been done by scholars of Europe on the subject, as they panned across the state of the Lahore kingdom and their adjunct territories. Sirmour was a Small Princely state along the Yamuna river's course While their purpose may have been malevolent in nature, many interesting insights got captured over the course of their work, and replication or improvement on the same seems to be rather scarce, especially in the context of what the European scholars used to call the "Punjab Hill States". One such case was on Sirmour, where very little information can be found in the publi...

The year was 1808. The place, Jammu. Raja Jaid Singh was placed on the throne of Jammu to be its king, supported by the presence of Mian Mota Singh, the all-powerful kingmaker of Jammu. In this period of madness in the province of Jammu, one hoped that Jammu would witness a semblance of balance and stability being created. Jammu had been in a free fall following the death of Raja Brijraj Dev. Sampuran Singh, the successor, succumbed to smallpox, leading to the situation that a new successor had to be found desperately. In the scramble, the name of Jaid Singh came forward, and with Mian Mota Singh’s support, Jaid Singh ascended the throne. Raja Brijraj Dev of Jammu ( painting with San Diego Museum of Art) Contributing to the constant madness in Jammu were the Khalsa forces who would raid Jammu and pillage it constantly, devoiding it of its wealth. The 1783 pillage of Jammu remained afresh in the minds of the people and the aristocrats alike - for two months, one witnessed not a single ...

A possible portrait (dated 1730) of Raja Jagat Singh Pathania (from the Eva and Konrad Seitz collection) History is a subject of speculation as much as it is about evidence. The more you read, the more you see gray areas everywhere. However, certain fields of history, like that of the Himalayan states for instance, is a rather problematic subject. Insufficient publicly available evidence, lack of local interest, and 'remoteness' from the larger picture has often rendered the subject to ignominy. However, it is a small but earnest attempt of this blog to keep exploring and writing on the subject in one way or the other.  A few months ago, I had talked of the Brajraj Panchashika, and seen the trends of Braj bhasha kavita in the region serving as evidence to suggest certain historical trends. However, there was definitely a broader trend in the region of such Braj bhasha ballads. The ballad of Raja Jagat Singh by Kavi Gambhir Rai is another example of this, and the more you read...