Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
Temple at Babor (Courtesy: Jammu Daily ) The history of the Himalayan states of North-west India remains a subject of much obscurity, with thinly packed materials available, as historians like Karuna Goswamy have remarked. In the midst of all this, documents like the Rajdarshani or the Vanshavalis in other regions has served to be a much valuable work. While so called credible historians criticize them as sources of history given fanciful claims, it is interesting that the same cabal also does not hesitate to refer to similar fanciful accounts elsewhere, as for example is the case for Mahavamsa of Sri Lanka. Absence of archaeological evidence is a call for more such work, and not the case of 'unreliability' as some would claim. Be that as it may, the Rajdarshani as was written by Ganesh Das Badehra is an interesting account for it did have instances of the 8th-13th century AD period that can be verified in historical sources that we know of, especially for instance the Chamb...