Black and White Picture of Raja Ugar Singh of Hindur, 1840-1850 (from Archer's book on Punjab Hills Paintings) Picture the year: 1795. The foothills of the Shivaliks are tense, echoing with the tramp of armed men and the grinding pressure of regional rivalries. Down in the valleys, Raja Ram Saran Singh Handuriya of Handur (modern-day Nalagarh) is caught in a grinding political bind. For years, Handur has ridden the coattails of Kangra’s aggressive campaigns against its bitter historical rival, Bilaspur (then known as Kahlur). But looking out across his contested borders, Ram Saran Singh faces a heavier, more haunting question: Does he continue serving as a satellite to Kangra’s ambitions, or does he break away, side with Maha Chand and Bilaspur, and reclaim a fractured sense of Rajput honor? The friction between Handur and Bilaspur was rooted in continuous struggles over strategic border zones, crucial river-crossing points, and the Satgarha (seven forts) territory. Because Handur...
Skanda, or Kartikeya, was a very important deity upto the 9th century AD across North India, before it starts to fade. Several Gupta era as well as other period sculptures and panels and wall panels evidence the importance,as can be evidenced in the National Museum collection in New Delhi. For instance, there is a 6th century AD panel of Skanda from the Punjab region (shown on the side)highlights a beautiful peacock on which Skanda is seated, with his trademark spear. Professor T S Maxwell writes about the earliest references to Skanda and his iconography in the north as follows: ' Probably the earliest six-headed representations of this god-and, apparently, of his consort-occur upon coins minted by the Yaudheyas, a traditionally warlike people settled in modern Rajasthan who 'lived by their weapons' (āyudhajīvinaḥ) and had Skanda as their principal god. Although the Yaudheyas persisted as a social group during the rule of the Guptas,...