Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
Sansar Chand With O'Brien (Source: Chandigarh Museum and Art Gallery) Going through some Kangra paintings, I was a little surprised to see a man dressed like a British soldier serving the great monarch of Kangra Maharaja Sansar Chand Katoch. This was quite surprising, given the period’s turbulence and the ongoing tussles of the Lahore Darbar, to which he was also a feudatory, and the British East India Company (EIC). The painting, on prominent display in the Chandigarh Museum and Art Gallery, actually turned up in my searches as a result of their official handle’s tweet that mentioned briefly his contribution (on a side note, do follow for some wonderful material they tweet out time to time). 'Sansar Chand and O'Brien',Kangra,c.1810(240) O’Brien was described as “a European adventurer...who established a factory of small arms and raised a disciplined force of 1400 men” for the raja #kangra #portrait #painting #pahari #arthistory #indianart #history #royalty #...