Black and White Picture of Raja Ugar Singh of Hindur, 1840-1850 (from Archer's book on Punjab Hills Paintings) Picture the year: 1795. The foothills of the Shivaliks are tense, echoing with the tramp of armed men and the grinding pressure of regional rivalries. Down in the valleys, Raja Ram Saran Singh Handuriya of Handur (modern-day Nalagarh) is caught in a grinding political bind. For years, Handur has ridden the coattails of Kangra’s aggressive campaigns against its bitter historical rival, Bilaspur (then known as Kahlur). But looking out across his contested borders, Ram Saran Singh faces a heavier, more haunting question: Does he continue serving as a satellite to Kangra’s ambitions, or does he break away, side with Maha Chand and Bilaspur, and reclaim a fractured sense of Rajput honor? The friction between Handur and Bilaspur was rooted in continuous struggles over strategic border zones, crucial river-crossing points, and the Satgarha (seven forts) territory. Because Handur...
Sansar Chand With O'Brien (Source: Chandigarh Museum and Art Gallery) Going through some Kangra paintings, I was a little surprised to see a man dressed like a British soldier serving the great monarch of Kangra Maharaja Sansar Chand Katoch. This was quite surprising, given the period’s turbulence and the ongoing tussles of the Lahore Darbar, to which he was also a feudatory, and the British East India Company (EIC). The painting, on prominent display in the Chandigarh Museum and Art Gallery, actually turned up in my searches as a result of their official handle’s tweet that mentioned briefly his contribution (on a side note, do follow for some wonderful material they tweet out time to time). 'Sansar Chand and O'Brien',Kangra,c.1810(240) O’Brien was described as “a European adventurer...who established a factory of small arms and raised a disciplined force of 1400 men” for the raja #kangra #portrait #painting #pahari #arthistory #indianart #history #royalty #...