Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
Pangna Palace Suket was a small princely state, part of the now Mandi district, with its capital at Sundar Nagar. It is one of the oldest surviving lineages of India, going all the way back to 765 AD. Interestingly, Suket, Mandi, Keonthal and Kashtwar (in Chenab valley region of Jammu) all had lineages related to each other. They all descend from a common ancestor of the Sena dynasty of Bengal, of the Chandrabanshi line of Rajputs. Hutchison and Vogel point out that The descendarnts of the common ancestors were three brothers, named Vira or Bir-Sen, who became the Ruler of Suket, Giri-Sen of Keonthal and Hamir Sen of Kashtwar. In 765, it is believed that along with his followers, probably Rajput adventurers like himself, Bir Sen crossed the Sutlej river and advanced into the interior, and defeated the then warring factions of Ranas and Thakurs, thus lording over them. Eventually, Bir Sen selected a site in the Surhi ilaqa, at 5,000 ft. above sea level, called Pangna, where he bu...
