Skip to main content

Gulab Singh and the Battle of Jammu 1809

The year was 1808. The place, Jammu. Raja Jaid Singh was placed on the throne of Jammu to be its king, supported by the presence of Mian Mota Singh, the all-powerful kingmaker of Jammu. In this period of madness in the province of Jammu, one hoped that Jammu would witness a semblance of balance and stability being created. Jammu had been in a free fall following the death of Raja Brijraj Dev. Sampuran Singh, the successor, succumbed to smallpox, leading to the situation that a new successor had to be found desperately. In the scramble, the name of Jaid Singh came forward, and with Mian Mota Singh’s support, Jaid Singh ascended the throne. Raja Brijraj Dev of Jammu ( painting with San Diego Museum of Art) Contributing to the constant madness in Jammu were the Khalsa forces who would raid Jammu and pillage it constantly, devoiding it of its wealth. The 1783 pillage of Jammu remained afresh in the minds of the people and the aristocrats alike - for two months, one witnessed not a single

When Jagannatha Comes Calling in Sunder Nagar (Suket)

Pangna Palace
Suket was a small princely state, part of the now Mandi district, with its capital at Sundar Nagar. It is one of the oldest surviving lineages of India, going all the way back to 765 AD. Interestingly, Suket, Mandi, Keonthal and Kashtwar (in Chenab valley region of Jammu) all had lineages related to each other. They all descend from a common ancestor of the Sena dynasty of Bengal, of the Chandrabanshi line of Rajputs. Hutchison and Vogel point out that The descendarnts of the common ancestors were three brothers, named Vira or Bir-Sen, who became the Ruler of Suket, Giri-Sen of Keonthal and Hamir Sen of Kashtwar.

In 765, it is believed that along with his followers, probably Rajput adventurers like himself, Bir Sen crossed the Sutlej river and advanced into the interior, and defeated the then warring factions of Ranas and Thakurs, thus lording over them. Eventually, Bir Sen selected a site in the Surhi ilaqa, at 5,000 ft. above sea level, called Pangna, where he built a palace, and made it the capital of the State. The Pangna palace is still in a good state of preservation,and houses temples of the deities Mahu Nag and Chindi Mata, both of whom the royal family prays to even now. Interestingly, the fort is reminiscent of Japanese castles and forts of the Tokugawa era.


An interesting thing about Suket is the presence of a Radha Krishna Temple that came up over 340 years ago. Here, Krishna is worshipped in the form of Lord Jagannath as in the Puri, Odisha tradition. As per Beotra's Gazetteer of Suket State (1927), this temple in Nagar town has an interesting history to it. A Bairagi faqir came here from Jagan Nath on the coast of Orissa, carrying an an idol of Jagan Nath made of sandal wood and the Suket Court hearing that he wished to sell it offered him Rs. 500 for it, but he refused the offer, saying that he was taking the idol to Kullu, whose Raja promised him Rs. 1,000. By chance the faqir died before he could set out for Kullu, and consequently the idol was, by the Raja's order, placed in the buildings previously used as a seraglio. He appointed
pujaris to the temple and granted land for its maintenance, spending Rs. 500, the price of the idol, on the funeral ceremonies of the Bairagi, and built the temple at State expense. The temple is managed by pujaris who belong to the Kondal gotra of Brahmans. Interestingly, this temple carries out its own ratha yatra like the Jagannatha temple of Puri, Odisha. A description was thus given by Beotra:


Rath Yatra in 2015. Scale has Reduced today (courtesy: The Tribune, India)
" Jagan Nath is supposed to become angry with his wife in consequence of some misunderstanding. The pujaris are unable to explain how the quarrel arose beyond saying that this is an imitation of what is done at the temple of Jagan Nath in Orissa. The pujaris and others assemble, put the idol in a palanquin and take it to the Jungambag garden on the Ghangal Khad, one mile from the town, and stay there for a day. Food is prepared in the garden and served to those who accompany the procession or arrive during the day. There is an idol of Ram Chandra in the garden and Jagan Nath pays a visit to it, cardamoms and nuts being distributed. On the third day Lakhshmi, the wife of Jagan Nath, goes to the garden and is reconciled with Jagan Nath.
The idol is then brought back, and placed in its temple where arti is performed. Then Jagan Nath is taken to the Jungambag garden, the procession is attended by the State officials, elephants and horses forming the retinue. Other people, with drums, flags and palkis, etc., also join it. The idol is brought back in full retinue."

Comments

Popular posts from this blog

Dutt Kavi's Memories of the Jammu-Kangra Battle - Thoughts on the Brajraj Panchasika

Raja Ranjit Dev of Jammu (courtesy Christie's) Reading through the Rajdarshani, the annals of Jammu's history as written by Ganesh Das Badehra, has been a rather engaging exercise. The deeper one goes into the text, the more layers on the missing links to the history of the Panjab Hill States open up. One particular aspect of the history that gets less highlighted (rather ignored) is the rivalry of Jammu and Kangra. It is rather intriguing that the popular memory gap has been so poorly discussed and deliberated upon anywhere. One such instance, thanks to Dr. S S Charak’s work on a critical edition of the Rajdarshani, has been rather useful.  It is not surprising that there is rivalry -through the history of the region, these were the two biggest princely states, and so it was but natural that competition for influence would take place. Curiously, the two have also seen continuity of dynasties for more than a millennium at the least. While the rivalries of Nagarkot or Kangra and

The Living Memories of Skanda

Skanda, or Kartikeya, was a very important deity upto the 9th century AD across North India, before it starts to fade. Several Gupta era as well as other period sculptures and panels and wall panels evidence the importance,as can be evidenced in the National Museum collection in New Delhi. For instance, there is a 6th century AD panel of Skanda from the Punjab region (shown on the side)highlights a beautiful peacock on which Skanda is seated, with his trademark spear. Professor T S Maxwell writes about the earliest references to Skanda and his iconography in the north as follows: ' Probably the earliest six-headed representations of this god-and, apparently, of his consort-occur upon coins minted by the Yaudheyas, a traditionally warlike people settled in modern Rajasthan who 'lived by their weapons' (āyudhajīvinaḥ) and had Skanda as their principal god. Although the Yaudheyas persisted as a social group during the rule of the Guptas,

Kavi Gambhir Rai's Rendition of Raja Jagat Singh's Rebellion

A possible portrait (dated 1730) of Raja Jagat Singh Pathania (from the Eva and Konrad Seitz collection) History is a subject of speculation as much as it is about evidence. The more you read, the more you see gray areas everywhere. However, certain fields of history, like that of the Himalayan states for instance, is a rather problematic subject. Insufficient publicly available evidence, lack of local interest, and 'remoteness' from the larger picture has often rendered the subject to ignominy. However, it is a small but earnest attempt of this blog to keep exploring and writing on the subject in one way or the other.  A few months ago, I had talked of the Brajraj Panchashika, and seen the trends of Braj bhasha kavita in the region serving as evidence to suggest certain historical trends. However, there was definitely a broader trend in the region of such Braj bhasha ballads. The ballad of Raja Jagat Singh by Kavi Gambhir Rai is another example of this, and the more you read,