Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
1533 Painting of the Likeness of Muhammad Bin Tughlaq (source: Agha Mehdi Husain) History has so many lessons and anecdotes hidden in its womb, and sometimes it becomes rather difficult to even search them. It is like trying to discover the innermost layers in an onion, where you fail to realize where the original bud lies underneath the layers that you keep peeling away. This is unfortunately the case of the history of the larger Punjab Hill states region, where historical research seems to be stuck in a rut and there is a lack of effort to revisit history and see the nuances once again. Be that as it may, it is rather interesting at times when you stumble across instances that make you wonder how it slipped your eye all this while. As is still claimed, the history of the Pathania rulers of Nurpur tends to become clearer only in the middle ages, as more 'reliable' sources start referring to the region and its rulers. One such source was the history of the Muslim conquests w...