Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
Poster describing Shahpurkandi Fort (courtesy Panjab Digital Library ) Pathankot. A sleepy border town today. A land of bravehearts, and more renowned for a terror attack on the air base in 2016. Yet, there was once a history of Pathankot that few remember in public memory today. Especially of Shahpur Kandi. Shahpur Kandi is a Fort that falls in Punjab today. It used to be part of the premise of the Nurpur princely state. Nurpur was ruled by the Pathanias, a dynasty that was known as much for bravery and wit as it was for its patronage of art, patronizing the Nurpur shaili of Pahari paintings. Yet, at least nine years before the Indian war for Independence that took place in 1857, an uprising shook the British East India Company to its core. It was 1848, and Ram Singh Pathania, who was going incognito post the collapse of the Lahore Durbar, had decided to repatriate himself with his father Sham Singh Pathania to Nurpur. Taking the title of Wazir there, these supposedl...