Sansar Chand Katoch portrait The Gorkha invasion of Kangra in 1805–06 is a fairly well-known episode in the history of the western Himalayan states. The campaign, that eventually brought Raja Sansar Chand's ambitions to a halt and led to his decline, has been discussed in multiple historical accounts. Yet, while going through some older writings on the history of Nepal, I came across an account that seems to suggest that the confrontation between the Katochs and the Gorkhas was not a one-off; it was one of the multiple confrontations that had occurred, arising from a variety of reasons. The account appears in Ludwig F. Stiller's The Rise of the House of Gorkha: A Study in the Unification of Nepal, 1768–1816 (1973) , which draws upon Francis Buchanan-Hamilton's earlier An Account of the Kingdom of Nepal (1819) . The story begins not with the Gorkhas, but with Sansar Chand's growing influence in the region. Hamilton wrote that after the demise of Dharma Prakash, who had d...
Recently, it came to my notice that Nurpur shaili of Pahari paintings too had a series of masters that have been feted well. Of course, most of them are confined to the Rasamanjari collection in terms of fame, what was interesting to note of this school was the presence of a family tradition. Portrait of Golu - Courtesy Met Museum In their catalogue of a selection of Indian paintings in the Metropolitan Museum of New York, John Guy and Jorrit Britschgi have pointed out that unlike say Basohli, where no documentation of the existence of painter families, there are inventory lists ( bahis ) for the painter Devidasa from Nurpur. Despite the proximity of the schools, this claim of divergence seems an oddity. It is well known how the Jasrota clan who were the original patrons of the Basohli school had also patronized Pandit Seu and his son Nainsukh of Guler, who were rather famous master artisans of the Guler school of paintings. Such a claim does not make sense therefore and sh...