Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
Sri Kali Hindu Temple in Yangon . It was built by Tamil migrants whilst Burma was part of British India. The actions against Indians in Myanmar remains a blind spot in our history and neglect towards Indians. Indians, who were derogatorily called 'kalas' were the biggest diaspora in Myanmar when it became independent. However, Indians had a significant role in the economy of the province. Money lending to mom and pop stores - every aspect was peppered with the presence of Indians. The xenophobic policies of the government remained ignored for decades. Burma was ruled from India by the British till the 1930s, and subsequently got independence around the same time as India. The new government of Burma took a number of measures meant to strengthen economic interests of Burmese against the foreigners; however, in effect, these measures were targeted essentially at Indians and Chinese. The 1948 Land Alienation Act forbade sale of land to non-Burmese. The Burma Land...