Himachal Archives

Sansar Chand Katoch portrait The Gorkha invasion of Kangra in 1805–06 is a fairly well-known episode in the history of the western Himalayan states. The campaign, that eventually brought Raja Sansar Chand's ambitions to a halt and led to his decline, has been discussed in multiple historical accounts. Yet, while going through some older writings on the history of Nepal, I came across an account that seems to suggest that the confrontation between the Katochs and the Gorkhas was not a one-off; it was one of the multiple confrontations that had occurred, arising from a variety of reasons. The account appears in Ludwig F. Stiller's The Rise of the House of Gorkha: A Study in the Unification of Nepal, 1768–1816 (1973) , which draws upon Francis Buchanan-Hamilton's earlier An Account of the Kingdom of Nepal (1819) . The story begins not with the Gorkhas, but with Sansar Chand's growing influence in the region. Hamilton wrote that after the demise of Dharma Prakash, who had d...

Black and White Picture of Raja Ugar Singh of Hindur, 1840-1850 (from Archer's book on Punjab Hills Paintings) Picture the year: 1795. The foothills of the Shivaliks are tense, echoing with the tramp of armed men and the grinding pressure of regional rivalries. Down in the valleys, Raja Ram Saran Singh Handuriya of Handur (modern-day Nalagarh) is caught in a grinding political bind. For years, Handur has ridden the coattails of Kangra’s aggressive campaigns against its bitter historical rival, Bilaspur (then known as Kahlur). But looking out across his contested borders, Ram Saran Singh faces a heavier, more haunting question: Does he continue serving as a satellite to Kangra’s ambitions, or does he break away, side with Maha Chand and Bilaspur, and reclaim a fractured sense of Rajput honor? The friction between Handur and Bilaspur was rooted in continuous struggles over strategic border zones, crucial river-crossing points, and the Satgarha (seven forts) territory. Because Handur...

Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...

कांगड़े दा टीला ओ माता, गर्वे सिंघे घेरिया। अकबर कांगड़े चढ़ आया ओ मेरी माँ। सुत्ती ऐ की जाग दी तू, जाग अम्बे रानिये। गर्वे ने पाई लिया घेरा ओ मेरी माँ। A very famous bhajan from Kangra of Mata Bajreshwari Devi, remembered often across north-west India today, talks of the Kangre da Tilla or the Mound of Kangra, referring to the place where Bajreswari Devi is present. She is popularly also know as Kangra Mata, and the legend is that the place was set up by burying the kaan or ear of an asura who was killed by the Pandavas on the orders of the Devi. There are such bhajans for other major temples in the region as well, but as a history enthusiast, this one often draws my attention.  The story of Kangra is as much the story of the civilizational wounds that the plains experienced; or perhaps it was worse, given how many times temple desecrations were made a conscious strategy. This song, at some level, seems to pass on the memory of one such gory experience that was witnessed by the peopl...

Raja Ranjit Dev of Jammu (courtesy Christie's) Reading through the Rajdarshani, the annals of Jammu's history as written by Ganesh Das Badehra, has been a rather engaging exercise. The deeper one goes into the text, the more layers on the missing links to the history of the Panjab Hill States open up. One particular aspect of the history that gets less highlighted (rather ignored) is the rivalry of Jammu and Kangra. It is rather intriguing that the popular memory gap has been so poorly discussed and deliberated upon anywhere. One such instance, thanks to Dr. S S Charak’s work on a critical edition of the Rajdarshani, has been rather useful.  It is not surprising that there is rivalry -through the history of the region, these were the two biggest princely states, and so it was but natural that competition for influence would take place. Curiously, the two have also seen continuity of dynasties for more than a millennium at the least. While the rivalries of Nagarkot or Kangra and...

The idea of a hill state in today's India seems somewhat obvious. However it was not the case. Barring Jammu and Kashmir and the exceptions of territories given to Tripura, Manipur and Nagaland, the hilly regions especially of North India were certainly not seen from the view point of an independent political identity fit for statehood within the Indian state with favor. Courtesy Wikimedia Commons The circumstances surrounding the formation and recreation of Himachal Pradesh is in itself a case study of aspirations coalescing with vision and foresight of a few, and deserve a longer answer. When Himachal Pradesh was born in 1951 following the Constitution's adoption, it had the status of a type C state. Some other states with such a status included some princely states or special cases like Delhi. However, it bore little resemblance with the present day Himachal Pradesh. There was great territorial overlap between Punjab, Haryana and Himachal's territories of the present d...