Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
Barselas of Mandi (Picture Credit: The Off.Info) We are told innumerable stories about what the custom of Sati or widows burning themselves on the funeral pyre was. A horrible practice interestingly, and one that needed to be abolished from the face of this earth given its sheer cruelty and misogyny. However, of late, a lot of revisits have happened that certainly question the prevalence of the custom itself. Professor Meenakshi Jain has written a tome on the subject, and other books exist too. It is interesting however to revisit some of the so called narratives to understand just how frequent or how extensive it really was. Banning something that was neither widespread in geography or in demography seemed a great case being built up to promote India as a backward, barbaric civilization - that is a near certainty that needs not much evidence to prove. Let me in that case also quote an interesting anecdote recorded by a British traveller G T Vigne, while travelling ac...