Painting picture courtesy Christie's Auction House Sometimes, a painting begins to ask more questions than it answers. A late eighteenth-century painting, attributed to the Mandi school and catalogued as showing Raja Sansar Chand of Kangra with a courtier, has intrigued me for some time. At first glance, the identification appears straightforward enough. Two men sit opposite each other, smoking hookahs, while attendants stand behind them holding fly-whisks. One figure is dressed in red, the other in white. The scene is informal, almost intimate, and yet unmistakably courtly. But the more I looked at the painting, the less convinced I became that the red-clad figure was Sansar Chand. The reason came from looking at other portraits. Among the surviving paintings associated with the Mandi court are several portraits of Raja Surma Sen, who ruled Mandi from 1781 until his death in 1788. One such portrait shows him seated smoking a hookah, attended by a fly-whisk bearer. Another depicts ...
The Rock Cut Temple Complex of Masrur Rock cut monoliths are an interesting and rare feature in India. Himachal Pradesh, curiously, houses one such set. Only four monolith temple structures are known in India in places as far away from each other as one can imagine. Mahabalipuram in Tamil Nadu and Ellora in Maharashtra are globally famous, carrying a reputation of their own. The monoliths are not restricted to just the south though - Dhamnar in Rajasthan, and Masrur in Himachal Pradesh are the other two sites of India. Masrur in Guler, Kangra district, in fact is the highest in terms of altitude, located 2500 feet above sea level. As per Professor N P Singh , the local legend of Masrur is linked directly to the Pandavas of the Mahabharata. This is not surprising, given that this is located in the old Jalandhara/Trigarta kingdom which also apparently fought on the side of the Kauravas in the war. The temples, as per legend, were built by the Pandavas during their agyatvas ...