कांगड़े दा टीला ओ माता, गर्वे सिंघे घेरिया। अकबर कांगड़े चढ़ आया ओ मेरी माँ। सुत्ती ऐ की जाग दी तू, जाग अम्बे रानिये। गर्वे ने पाई लिया घेरा ओ मेरी माँ। A very famous bhajan from Kangra of Mata Bajreshwari Devi, remembered often across north-west India today, talks of the Kangre da Tilla or the Mound of Kangra, referring to the place where Bajreswari Devi is present. She is popularly also know as Kangra Mata, and the legend is that the place was set up by burying the kaan or ear of an asura who was killed by the Pandavas on the orders of the Devi. There are such bhajans for other major temples in the region as well, but as a history enthusiast, this one often draws my attention. The story of Kangra is as much the story of the civilizational wounds that the plains experienced; or perhaps it was worse, given how many times temple desecrations were made a conscious strategy. This song, at some level, seems to pass on the memory of one such gory experience that was witnessed by the peopl...
Skanda, or Kartikeya, was a very important deity upto the 9th century AD across North India, before it starts to fade. Several Gupta era as well as other period sculptures and panels and wall panels evidence the importance,as can be evidenced in the National Museum collection in New Delhi. For instance, there is a 6th century AD panel of Skanda from the Punjab region (shown on the side)highlights a beautiful peacock on which Skanda is seated, with his trademark spear. Professor T S Maxwell writes about the earliest references to Skanda and his iconography in the north as follows: ' Probably the earliest six-headed representations of this god-and, apparently, of his consort-occur upon coins minted by the Yaudheyas, a traditionally warlike people settled in modern Rajasthan who 'lived by their weapons' (āyudhajīvinaḥ) and had Skanda as their principal god. Although the Yaudheyas persisted as a social group during the rule of the Guptas,...