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Kangre Da Tilla - Memories of a Now Forgotten Invasion

कांगड़े दा टीला ओ माता, गर्वे सिंघे घेरिया। अकबर कांगड़े चढ़ आया ओ मेरी माँ। सुत्ती ऐ की जाग दी तू, जाग अम्बे रानिये। गर्वे ने पाई लिया घेरा ओ मेरी माँ। A very famous bhajan from Kangra of Mata Bajreshwari Devi, remembered often across north-west India today, talks of the Kangre da Tilla or the Mound of Kangra, referring to the place where Bajreswari Devi is present. She is popularly also know as Kangra Mata, and the legend is that the place was set up by burying the kaan or ear of an asura who was killed by the Pandavas on the orders of the Devi. There are such bhajans for other major temples in the region as well, but as a history enthusiast, this one often draws my attention.  The story of Kangra is as much the story of the civilizational wounds that the plains experienced; or perhaps it was worse, given how many times temple desecrations were made a conscious strategy. This song, at some level, seems to pass on the memory of one such gory experience that was witnessed by the peopl...

Kullu's guest appearance in a Kashmiri Chola Legend

Kullu is globally known for its vibrant gathering of the various devatas of Kullu valley, all coming to visit the royal family at the time of Dussehra. The royal family have been hosting the idol of Raghunath ji or Sri Rama at the Raghunath temple of Kullu. These devatas, or local deities, are all invited into the Ramchandra darbar by the royal family of  Kullu as per tradition. While the festival is recorded to be at least from the 16th century. However, few people know that Kullu is the oldest state after Punjab and Kangra, known in the past as Kuluta. The oldest reference to the state comes from a coin issued by a certain Virayasa, the king who had it issued, dating back to 1-2 CE, as pointed out by Parmeshwari Lal Gupta and Hutchison and Vogel earlier.  References to the state comes in the Mahabharata as the tribe north of the Kuru kingdom, alongside the Trigarta and the Kashmir kingdoms.

It is however the reference in the Rajataramgini of Kalhana that we have an interesting episode mentioned, one that I would like to specify here. Around the 6th century A.D., as Kalhana records, there was a certain king Ratisena of the Cholas, who sent his daughter Ranarambha to the residence of his friend, the then king of Kuluta, and where Ranaditya, the king of Kashmir at the time 'went with joy to that not distant land' to receive her. As this incident, highlighted by Hutchison and Vogel, indicates, there were perhaps indications of a larger pan India alliance developed between the Cholas and the Gonandiya Dynasty ruling at the time in Kashmir, but also indicating a position of minor importance for the state of Kuluta. This is an interesting point of reference - little is known of the Chola kings during this period, though it is broadly accepted that the Cholas were at their lowest ebb politically for three centuries starting with the 6th century A.D. Therefore, to find a reference to the Cholas in the North Indian texts at the time is quite surprising. This Ranarambha, according to Rajatarangini, went on to become the queen of Kashmir by marrying Ranaditya. However, it was in Kuluta, a supposed feudatory of the Kashmir king, that the two met before their union.

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Kangre Da Tilla - Memories of a Now Forgotten Invasion

कांगड़े दा टीला ओ माता, गर्वे सिंघे घेरिया। अकबर कांगड़े चढ़ आया ओ मेरी माँ। सुत्ती ऐ की जाग दी तू, जाग अम्बे रानिये। गर्वे ने पाई लिया घेरा ओ मेरी माँ। A very famous bhajan from Kangra of Mata Bajreshwari Devi, remembered often across north-west India today, talks of the Kangre da Tilla or the Mound of Kangra, referring to the place where Bajreswari Devi is present. She is popularly also know as Kangra Mata, and the legend is that the place was set up by burying the kaan or ear of an asura who was killed by the Pandavas on the orders of the Devi. There are such bhajans for other major temples in the region as well, but as a history enthusiast, this one often draws my attention.  The story of Kangra is as much the story of the civilizational wounds that the plains experienced; or perhaps it was worse, given how many times temple desecrations were made a conscious strategy. This song, at some level, seems to pass on the memory of one such gory experience that was witnessed by the peopl...

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